| Act
Four
A
room in the imperial palace. The stage is in semidarkness.
Cherea and Scipio enter. Cherea crosses to the right,
then comes back left to Scipio.
SCIPIO
(With a sullen mouth) What do you want of me?
CHEREA
You didn't come to our meeting yesterday.
SCIPIO
(looking away and crossing) That's right.
CHEREA
Scipio, I'm not in the habit of asking help from others,
but I need you now. You and I are the only ones who
can sponsor this murder with the right motives. I
want you to stay with us.
SCIPIO
I can't do that.
CHEREA
So you are with him then?
SCIPIO
No ...
CHEREA
And yet he killed your father.
SCIPIO
That's how it all began. But that’s how it ends,
too.
CHEREA
Sometimes you just have to choose.
SCIPIO
We're consumed by the same fire. I'm unfortunate enough
to understand him. CHEREA So you have chosen to take
his side.
SCIPIO
(passionately) No, I can never, ever again
take anyone’s side.
CHEREA
(affectionately; approaching Scipio) He's taught
you to despair in taking any action because to do
so would bloody your innocent hands in some way or
other. That, by itself, would justify me in killing
him. (Helicon enters.)
HELICON
I've been looking for you, Cherea. Caligula's planning
a little get-to-gether. He wants you to wait for him.
(to Scipio) You aren't invited. Off you go!
SCIPIO
(looking back at Cherea as he goes out) Cherea.
CHEREA
(gently) Yes, Scipio?
SCIPIO
You do understand.
CHEREA
(in the same gentle tone) No, Scipio.
Scipio
and Helicon go out. The Old SENATOR and the Octavius
are thrown into the room.
OCTAVIUS
But what can he want with us at this hour
of the night? If it's only to have us killed why all
these preliminaries?
THE
OLD SENATOR We should have acted sooner; I always
said so. Now we're in this torture chamber. (Cherea
enters)
CHEREA
(Sits, showing no sign of apprehension.) Any
idea what's happening?
SENATORS
(speaking together) He's found out about the conspiracy.
CHEREA
And?
TIlE
OLD SENATOR (shuddering) Torture.
CHEREA
(still unperturbed) Caligula once gave 81,000
sesterces to a slave who, despite torture, wouldn't
confess to a theft he had committed.
OCTAVIUS
For some reason that doesn’t console me.
CHEREA
He’s a connoisseur of courage. You ought to
keep that in mind. (to the Old Patrician) If
you don't mind, would stop chattering your teeth?
I detest that sound.
THE
OLD SENATOR Ah -- --
OCTAVIUS
Concentrate on the fact that our lives are at stake.
CHEREA
(coolly) You'll be quoting Caligula next.
TIlE
OLD SENATOR (on the verge of tears) Remember
what he always says it to the executioner: "Kill him
slowly, so that he feels what dying's like and hence
appreciates life more!"
CHEREA
After an execution he yawns, and says quite seriously:
"What I admire most is my insensitivity." That’s
my favorite.
OCTAVIUS
I hear something.
CHEREA
Of course such a remark betrays a weakness. If he
were really insensitive he would never make such a
boast.
THE
OLD SENATOR If you don’t mind, would you stop
philosophizing? I detest that!
Helicon
enters carrying a gigantic war axe.
CHEREA
(who has not noticed Helicon) Let's admit at
least that such a man forces one to think. There's
nothing like insecurity for stimulating the brain.
No wonder he's so hated.
THE
OLD SENATOR (pointing a trembling finger at the
axe which Helicon has placed just behind Cherea) It's
happening!
CHEREA
(Noticing now, and in a slightly altered tone)
Maybe you were right.
OCTAVIUS
Waiting was a mistake. We should have acted at once.
CHEREA
Now we know.
THE
OLD SENATOR I don't want to die.
Suddenly
strange music begins behind a curtain at the back
of the stage. The hostages gaze at each other in silence.
Outlined on the illuminated curtain, in shadow play,
Caligula appears and executes some grotesque dance
movements. He is wearing ballet dancer's skirts and
his head is garlanded with flowers. As the music climaxes
Caligula disappears and Helicon announces gravely:
"Gentlemen, the performance is over." Meanwhile
Caesonia has entered soundlessly behind the watching
Senators. She speaks in an ordinary voice, but none
the less they give a start on hearing it.
CAESONIA
Caligula has instructed me to tell you that in the
past he has called his advisory committee together
only for purposes of State business. But tonight he
has invited you to participate with him in an artistic
emotion. (A short pause. Then she continues in
the same tone.) He added, I should note, that
anyone who failed to participate would strung up on
a meat hook. (They keep silent.) I apologize
for insisting, but I must ask if you found the dance
beautiful.
OCTAVIUS
(After only a brief hesitation) It was beautiful,
Caesonia.
THE
OLD SENATOR (effusively) Lovely! Lovely!
CAESONIA
And you, Cherea?
CHEREA
(Icily) It was . . . fine art.
CAESONIA
Good. Now I can convey your critical appreciation
to Caligula. (She exits)
HELICON
Tell me, Cherea, was it really fine art?
CHEREA
In a way.
HELICON
I defer to your cleverness, Cherea. Deceptive as only
a respectable citizen can be. But clever indeed. I
am not clever. And yet I’m very protective of
Caius, even if he wants none of it.
CHEREA
I don't quite understand what you're saying. But I
congratulate you on your devotion to duty. I like
devoted servants.
(Cherea
laughs and turns away. Helicon draws one knife
and puts the flat side on the side of Cherea’s
face pulling it around to face him. Helicon takes
out another knife and places the sharp side directly
between them as Cherea is forced to look him straight
in the eye.)
HELICON
Look carefully Cherea. Study it like a piece of fine
art. A portrait of your enemy. (He pats Cherea
on the head with the flat knife, and then exits).
CHEREA
(Angrily) Now, let's act quickly. You two stay
here. Before the night is out there'll be a hundred
of us. (Exits)
OCTAVIUS
(Sadly) Did I really say that dance was beautiful.
THE
OLD PATRICIAN (conciliatingly) Maybe we just
didn't understand it.
Lucius
enters
LUCIUS
What’s going on? Caligula’s guards forced
me to come here.
THE
OLD SENATOR (absent-mindedly) For the dance,
perhaps.
LUCIUS
Dance?
THE
OLD SENATOR Excuse me, the artistic emotion.
Cassius
enters
CASSIUS
I've just heard Caligula's very ill.
OCTAVIUS
He is.
CASSIUS
What's the matter with him? (In a joyful tone)
By the gods, is he going to die?
OCTAVIUS
I doubt it. His disease is only fatal to others.
CAESONIA
( Enters and in a casual tone) I thought you
should know that Caligula has serious stomach trouble.
Just now he vomited blood. (They crowd round her,
not noticing Caligula off to the side)
LUCIUS
I vow to the gods if he recovers, to pay the
Treasury two hundred thousand sesterces as a token
of my joy.
CASSIUS
(on one knee with exaggerated eagerness) Take
my life in place of his!
Caligula
has entered, and is listening.
CALIGULA
(going up to Lucius) I accept your offer, Lucius.
And I thank you. A representative of the Treasurer
Board will call on you tomorrow. (Goes to Cassius
and embraces him.) You can't imagine how touched
I am. (A short pause. Then, tenderly) So you
love me, Cassius, as much as that?
CASSIUS
(emotionally) Caesar, there's nothing, nothing
I wouldn't sacrifice for your sake.
CALIGULA
(embracing him again) Ah, Cassius, this is
really too much; I don't deserve all this love. (Cassius
makes a protesting gesture.) No, no, really, I'm
not worthy of such devotion. (He beckons to two
soldiers.) Take him away. (gently, to Cassius)
Go, my friend, and remember that Caligula’s
heart is yours.
CASSIUS
(terrified) But where are they taking me?
CALIGULA
To death, of course. You gave your life in exchange
for mine. I feel better already. Even that nasty taste
of blood in my mouth has gone. You’ve cured
me, Cassius. And now that I’m quite myself again,
I feel like throwing a party in honor of my generous
friend. (Cassius' face is distorted by terror and
his body limp with fear as he is dragged away)
CALIGULA
(In a nostalgic tone) Soon the paths along
the sea will be bobbing with golden mimosa flowers.
Young women will be wearing light summer dresses.
The blue sky will be washed with a light breeze and
clean swift sunshine! The smiles of life. (serious)
If you had loved life enough, my friend, you wouldn't
have gambled it away so rashly.
CASSIUS
(Momentarily revived by one last effort to change
Caligula’s mind) But it's all a joke, Caligula.
Life's just a joke. And I'm laughing. Cac, cac, cac,
cac. See, I'm laughing! Cac! Cac! Cac! Cac! (It
doesn't work, and his "laugh" starts to alternative
with weeping offstage, until it abruptly stops).
CALIGULA
(Looking at Lucius) And the loser must pay.
The winner demands it. (A short silence.) Come,
Caesonia. (He turns to the others.) By the
way, an idea has just ambushed me, and I want to share
it with you. Up to now my reign has been too happy.
There's been no world-wide plague, no religious persecution,
not even a revolution -- in short, nothing likely
to give us a place in history. In a sense, you see,
that’s why I have been trying to make up for
the modesty of fate. I mean -- I don't know if you've
followed me -- well (he gives a little laugh),
in short, I'm your plague. (In a different
tone) But don't say a word. Here's Cherea's coming.
You're on, Caesonia.
(Caligula
goes out. Cherea enters. Caesonia hurries toward Cherea.)
CAESONIA
Caligula is dead.
She
turns her head, as if to hide her tears; her eyes
are fixed on the others. Everyone looks horrified
but for different reasons. Cherea moves hastily from
one man to the other. No one speaks except the Old
Patrician who can’t help himself.
THE
OLD SENATOR Only a short while ago he was dancing.
(Caesonia fixes on him)
CAESONIA
The effort was too much for him. (No one speaks.)
You've nothing to say, Cherea?
CHEREA
(in a low voice) It's a great misfortune for
us all, Caesonia.
Caligula
bursts in violently and goes up to Cherea.
CALIGULA
Well played, Cherea. (He spins round and stares
at the others. Petulantly) So it didn't come off.
(to Caesonia) Don't forget what I told you.
(Caligula
abruptly dashes off. Nobody knows what’s going
on.)
THE
OLD SENATOR (hoping against hope) Is he ill,
Caesonia?
CAESONIA
(with a hostile look) No, my pet. Though he
never has more than two hours sleep and spends the
best part of the night stalking the corridors. You
should give a thought to what may pass in this man's
mind in those hours between midnight and sunrise.
Is he ill? No, he’s not ill, unless you invent
a name for the boils and sores that fester in his
soul.
(Recovering
her composure and in a changed tone) Oh, I was
forgetting. Caligula has decreed that today is to
be a special holiday devoted to art. So he has organized
a poetry reading. A group of poets will be given a
set theme and asked to improvise. He wants the poets
among you to take part in the competition. He particularly
mentioned young Scipio and wise Octavius.
OCTAVIUS
But I’m no poet ---
CAESONIA
(In a level tone, as if she has not heard him)
Needless to say there will be prizes. There will
also be penalties. (Looks of consternation.) Just
between ourselves, the penalties are not too severe.
OCTAVIUS
-- I can appreciate good poetry, but writing -- (Cut
off by Caligula's entry, looking gloomier than ever.)
CALIGULA
All ready?
CAESONIA
Yes. (Calling offstage) Poets can enter.
They
enter and arrange themselves beside Scipio and Octavius.
CALIGULA
The "Caligula Prize." Subject: death. Time limit:
one minute.
The
poets scribble feverishly on their tablets.
THE
OLD SENATOR (Taking a keen interest) Who will
compose the jury?
CALIGULA
I shall. Isn't that enough?
THE
OLD SENATOR Oh, yes, quite enough.
CHEREA
Will you be competing, Caius?
CALIGULA
Unnecessary. I wrote my poem on this theme long ago.
THE
OLD SENATOR (Eagerly) Where can one get a copy
of it?
CALIGULA
No need. I recite it every day, in my own way.
(Caesonia
eyes him nervously. Caligula rounds on her almost
savagely.) Is there anything in my appearance
that displeases you?
CAESONIA
(Gently) I'm sorry. (She turns away)
CALIGULA
(Caligula turns to Cherea.) As I was saying.
It's the only poem I have ever fathered, but it’s
the living proof that I am the only true artist Rome
has ever known -- the only one, Cherea, to reconcile
his thoughts and his deeds.
CHEREA
Surely it’s only a matter of having the power
to do so.
CALIGULA
Quite true. Other artists create because they lack
power. I don't need to make a work of art; I live
it. (Brutally) Well, poets, are you ready?
(No one answers)
CALIGULA
Good. I take that for a yes. Listen carefully. When
I whistle, the first of you will step forward and
begin reading. When I whistle again, he must stop
and the second begin. And so on. The winner, of course,
will be the one whose poem has not been interrupted
by the whistle. Get ready. (Turning to Cherea,
he whispers.) Efficient organization's needed
for everything, even for art. (Blows his whistle.)
OCTAVIUS
Death, when beyond thy murky banks ...
A
blast of the whistle. The poet steps briskly to the
left. The others will follow the same procedure. After
Octavius, these movements should be made with mechanical
precision.
FIRST
POET (full and impressive voice) In their dim
cave, the fatal sisters three ... (Whistle.)
SECOND
POET (lisping) I summon thee, sweet Death ...
A
shrill blast of the whistle. The Fourth Poet steps
forward and strikes a dramatic posture. The whistle
goes before he has opened his mouth.
FOURTH
POET When I was in my happy infancy ...
CALIGULA
(yelling) Stop! What possible connection could
there be between the childhood of an idiot and the
subject of this competition? The connection! Tell
me the connection!
FOURTH
POET But, Caius, I haven’t finished. (Shrill
whistle.)
FIFTH
POET (in a high-pitched voice) Relentless,
he stalks her virgin life ... (Whistle.)
SIXTH
POET (mysteriously) Oh, this long, profound
prayer ... (Whistle, broken off as Scipio comes
forward without paper.)
CALIGULA
You haven't anything to read?
SCIPIO
I don't need to read it.
CALIGULA
Well, let's hear you. (He chews at his whistle.)
SCIPIO
(standing very near Caligula, he recites listlessly,
without looking at him)
Pursuit
of happiness that purifies the heart, Skies rippling
with light,
O
wild, sweet, festal joys, frenzy without hope!
CALIGULA
(gently) Stop, please. The others needn't compete.
(to Scipio) You're very young to understand
so well the lessons we can learn from death.
SCIPIO
(gazing straight at Caligula) I was very young
to lose my father.
CALIGULA
(turning hastily) The rest of you fall in again.
Really, being a bad poet is too horrible a penalty
already. Until now I'd thought of enlisting you as
my allies and occasionally dreamed of your forming
my gallant legion of last-ditch defenders. Another
illusion gone! I’m casting you off among my
enemies. The poets are against me and that is indeed
the last straw. March out in military order! As you
file past me lick your poems to erase any trace of
your atrocities. Attention! Forward! (Keeping step,
the poets file out by the right, tonguing their immortal
poems. Caligula adds in a lower tone) Now leave
me, everyone.
In
the doorway, as they are going out, Cherea touches
the Octavius’s shoulder, and speaks in his ear.
CHEREA
Now's our opportunity.
(Scipio,
who has overheard, halts on the threshold and walks
back to Caligula. The two of them talk intensely
but briefly. Scipio goes out. Caligula makes a vague
gesture. Then, almost savagely, he pulls himself together
and takes some steps toward Caesonia.)
CAESONIA
What did he say?
CALIGULA
It would tax your understanding. (staring at her)
Let's just say I have decided to let Scipio try
his chances again, elswhere. I'm through with him.
But you, I wonder why you are still here.
CAESONIA
Because you need me.
CALIGULA
No. If I killed you I think I might understand.
CAESONIA
Why don’t you do it then? (slight pause)
But can't you, if only for a minute, just let yourself
go.
CALIGULA
For several years now I have been practicing the art
of letting myself go.
CAESONIA
That’s not the way I mean it. Of course, you
just laugh at everything I say.
CALIGULA
The freedom of the heart you want to talk about --
everyone acquires it, in his own way. I’m more
interested in the fact that I could have you put to
death. (Laughs.) It would be the perfect climax
to my career. (He rises and swings the mirror round
toward himself. Then he walks in a circle. Arms hang
limp, almost without gestures. There is something
animal in his gait as he continues speaking.) It's
odd. When I'm not killing, I feel alone. The living
aren't enough to populate the universe and to keep
us company. When you are all here around me, you make
me aware of a limitless void where I dare not look.
I'm only comfortable amongst my dead. (He shivers
and turns toward the audience, leaning a little forward.
He has forgotten Caesonia's presence.) They are
real. They are like me. They are awaiting me and urging
me to hurry. I have long dialogues with this or that
man who screamed to me for mercy and whose tongue
I had cut out.
CAESONIA
Come. Lie down beside me. (Caligula does so.) Now
you are comfortable. It is quiet!
CALIGULA
Quiet? How unperceptive you are. Listen! (Distant
metallic tinklings.) Aren't you aware of the thousand
muffled sounds of hatred on the alert?
CAESONIA
No one would dare. . .
CALIGULA
Yes, stupidity would.
CAESONIA
Stupidity doesn't kill. It makes men behave.
CALIGULA
It is deadly, Caesonia, when it considers itself insulted.
No, it's not the men whose sons or fathers I have
killed who'll murder me. They're on my side because
they have the same taste in their mouths. But the
others -- those I ridiculed and laughed at -- I’m
defenseless against their vanity.
CAESONIA
(passionately) We will defend you. Many of
us still love you.
CALIGULA
Fewer and fewer. I’ve taken care of that. Besides,
let's be fair and admit that stupidity is not my only
enemy. There’s also those extraordinary ordinary
men. (slight pause) But why such a show
of devotion? This wasn't part of our agreement.
CAESONIA
(who has risen and is pacing) Hasn't it been
enough to see you killing others, without knowing
you'll be killed as well? Isn't it enough to take
you into my bed all torn and tearing, breathing your
smell of murder when you lie on top of me? Each day
I see you slipping further and further from any human
likeness. I know, I know each day I'm getting old,
my beauty can only wane. But my love, my fear for
you has so shaped me that now I don’t even care
if you no longer love me. I only want you to get well,
to be a boy with a whole life ahead of you. What else
can you want?
CALIGULA
(rising, looks at her fixedly) You've been
with me a long time now.
CAESONIA
(Not looking at him) Yes. . . . And you're
going to keep me, aren't you?
CALIGULA
(Standing close behind her) I only know why
you're here now. Because of all those nights of fierce,
joyless pleasure and because of all you know about
me. (He takes her in his arms, bending her head
back a little with his right hand.) I'm twenty-two.
Not too old. But at this moment, when I have cast
off so many skins and my life looks to me so long
already, so fulfilled, you are the only witness left.
And I can't resist a sort of shameful, sentimental
tenderness for the old woman that you’ll become.
CAESONIA
So you mean to keep me with you.
CALIGULA
All I know -- and this is the worst of it -- is that
this sentimental tenderness is the only pure emotion
I’ve ever had. (Caesonia frees herself from
his arms. Caligula follows her. She presses her back
to his chest and he puts his arms round her.) Wouldn't
it be better that the last witness should disappear?
CAESONIA
I'm just happy because of what you just said. Why
can't we share this happiness?
CALIGULA
What makes you think I'm unhappy?
CAESONIA
Happiness doesn't thrive on destruction.
CALIGULA
Then there must be two kinds of happiness, and I chose
the murderer’s happiness. For I am happy.
Just look at me. I laugh, Caesonia, when I think that
for years all Rome carefully avoided pronouncing the
name of Drusilla. For years Rome was mistaken. Love
isn't enough for me, as I realized then, and that
is what I realize again today as I look at you. Loving
a person is being willing to grow old with that person.
Surely you don’t think I’m capable of
that? Drusilla old would be far worse than Drusilla
dead. People think a man suffers because out of the
blue, death snatches away the woman he loves. But
real suffering has more meaning: it comes from the
discovery that grief, too, cannot last. Even grief
is devoid of meaning.You see, I had no excuse, not
even the fiction of a love, nor the bitterness of
melancholy. I have no alibi. But here I am today far
freer than I was years ago because I am liberated
from memory and delusion. (He laughs bitterly.)
I know now that nothing lasts. Just think!
There are only two or three of us in all history who
really experienced that knowledge and achieved this
insane happiness. Caesonia, you have watched out to
the very end a very strange tragedy. It is time for
the curtain to fall on you. (holds his hand out
to her)
CAESONIA
(terrified) Can that freedom be happiness?
CALIGULA
(hugs her from behind and gradually tightens his
grip on Caesonia's throat) You may be sure of
it, Caesonia. Without it I might have been a smug
man. Thanks to it, I have won the god-like lucidity
of the solitary man. (His exaltation grows as little
by little he strangles Caesonia, who puts up no resistance.
Bending his head, he goes on speaking, into her ear.)
I live, I kill, I exercise the rapturous power
of a destroyer which makes child's play of the power
of a creator. This is happiness -- this unparalleled
isolation of a man who sees his whole life at once,
the measureless joy of the unpunished assassin, this
ruthless logic that crushes human lives (he laughs),
that's crushing yours out, Caesonia, to complete
at last the eternal solitude I desire.
CAESONIA
(struggling feebly) Caius .
CALIGULA
(more and more excitedly) No, no sentiment.
I must have done with it, for there is no time to
waste. There is no time to waste, dear Caesonia. (Caesonia
has stopped breathing. He stares wildly at her; his
voice grows harsh and grating.) You, too, were
guilty. But killing is not the solution. (He spins
round and gazes crazily at the mirror.) Caligula!
You too, you too are guilty. Well, what can a little
more or less matter? But who would dare condemn me
in this world where no one is innocent and nobody
is judge? (He brings his eyes close to his reflected
face. He sounds genuinely distressed.) You see,
Helicon has failed you. I won't have the moon. Never,
never, never! But how painful it is to know that and
to have to go through to the bitter end! Listen! Innocence
arming for the fray, preparing for its final triumph.
Why am I not in their place, among them? I'm afraid.
(Sound of his pain) After despising others,
to recognize the same cowardice in myself. But that
doesn’t matter. Fear doesn’t last either.
I’m about to enter that great emptiness where
the heart has rest. (He seems calmer. When he speaks
again his voice is steadier, less shrill.) Everything
seems so complicated. Yet everything is quite simple.
If I'd had the moon, if love were enough, all would
be changed. But where can I quench this thirst? What
heart, what god would be as deep and pure for me as
a great lake? (Kneeling, weeping.) Neither
this world nor the other world has a place for me.
Yet I know, and you know (still weeping, he stretches
out his arms toward the mirror) that all I needed
was for the impossible to be. The impossible! I've
searched the confines of the world, along all my secret
frontiers. I stretched out my hands (Screaming,
now at the moon). See, I still stretch out my
hands, but I always find you confronting me, and I've
come to loathe you. Helicon! Nothing, nothing
yet. Helicon! Oh, this night is heavy, heavy as all
of human suffering. Helicon will not come. We shall
be guilty forever. (The shadows turn into Caligula’s
killers. The patricians watch, but hold their coats
over their faces while others surround Caligula and
repeatedly stab him. Caligula chokes and laughs as
if embracing death.) In history, Caligula! In
history! (Caligula's body drops and the killers
move triumphantly, but he pulls himself up to his
knees) I'm still alive! (He dies, but the killers
begin to strike at his body again until he turns into
a bloody mass blending into the red gloom)
END |